Nº. 1 of  10

Inside A Letter Box

Posts tagged oil:

Salvador Dalí, Gala. Miniature. Oil and collage on cardboard, 13.9 x 9.2 cm (5.51 x 3.54 in). Signed and dated lower center: pour loliveta (for the little olive-skinned one)  Salvador Dalí 1931.

Salvador Dalí, Gala. Miniature. Oil and collage on cardboard, 13.9 x 9.2 cm (5.51 x 3.54 in). Signed and dated lower center: pour loliveta (for the little olive-skinned one) Salvador Dalí 1931.

(Source: salvador-dali.org)

Remedios Varo, Naturaleza muerta resucitando (Still Life Reviving). 1963. Oil on canvas, 110 x 80 cm.

Remedios Varo, Naturaleza muerta resucitando (Still Life Reviving). 1963. Oil on canvas, 110 x 80 cm.

Henri Matisse, Le silence habité des maisons (The silence that lives in houses).  1947. Oil on canvas, 61 x 51 cm.

Henri Matisse, Le silence habité des maisons (The silence that lives in houses). 1947. Oil on canvas, 61 x 51 cm.

Ferdinand Hodler, Kneeling Boy — nude/Adoration (III). 1893-1894.  Oil on canvas, 84 x 37.5 cm.  

Ferdinand Hodler, Kneeling Boy — nude/Adoration (III). 1893-1894.  Oil on canvas, 84 x 37.5 cm.  

(Source: the-athenaeum.org)

Leonora Carrington, Ab eo quod. 1956. Oil on canvas, 71.1 x 61 cm.  

An embroidered fire screen bears the Latin words Ab eo quod nigram caudum habet abstine terrestrium enim decorum est, which is a fragment from the Asensus Nigrum, an obscure alchemical text from 1351.  This roughly translates as: “Keep away from any with a black tail, indeed, this is the beauty of the earth.”

Susan L. Alberth, Leonora Carrington: Surrealism, Alchemy and Art (New York: Lund Humphries, 2004,  p. 93.

Leonora Carrington, Ab eo quod. 1956. Oil on canvas, 71.1 x 61 cm.  

An embroidered fire screen bears the Latin words Ab eo quod nigram caudum habet abstine terrestrium enim decorum est, which is a fragment from the Asensus Nigrum, an obscure alchemical text from 1351.  This roughly translates as: “Keep away from any with a black tail, indeed, this is the beauty of the earth.”

Susan L. Alberth, Leonora Carrington: Surrealism, Alchemy and Art (New York: Lund Humphries, 2004, p. 93.

(Source: strose.lunaimaging.com)

Lucas Cranach the Elder, Cupid Complaining to Venus. c. 1525. Oil on wood, 81.3 x 54.6 cm.

Lucas Cranach the Elder, Cupid Complaining to Venus. c. 1525. Oil on wood, 81.3 x 54.6 cm.

(Source: nationalgallery.org.uk)

Edvard Munch, The Sick Child. 1885-1886. Oil on canvas, 120 x 118.5 cm.

The only influences in The Sick Child were my home; my home was to my art as the midwife is to her children.  I remember it well - those were the days of pillows, of sickbeds, of feather quilts.  But I firmly believe that scarcely any of these painters has ever experienced the full grief of their subject as I did in The Sick Child. Because it was not just I who was suffering then: it was all my nearest and dearest as well. 

Edvard Munch to Jens Thiis, c. 1933. Quoted in The Symbolist prints of Edvard Munch, Elizabeth Prelinger and Michael Parke-Taylor.  Yale University Press, 1996. 
According to Thiis, Munch sat in his deceased sister’s wicker chair when he painted The Sick Child.

Edvard Munch, The Sick Child. 1885-1886. Oil on canvas, 120 x 118.5 cm.

The only influences in The Sick Child were my home; my home was to my art as the midwife is to her children.  I remember it well - those were the days of pillows, of sickbeds, of feather quilts.  But I firmly believe that scarcely any of these painters has ever experienced the full grief of their subject as I did in The Sick Child. Because it was not just I who was suffering then: it was all my nearest and dearest as well. 

Edvard Munch to Jens Thiis, c. 1933. Quoted in The Symbolist prints of Edvard Munch, Elizabeth Prelinger and Michael Parke-Taylor.  Yale University Press, 1996. 

According to Thiis, Munch sat in his deceased sister’s wicker chair when he painted The Sick Child.

Édouard Manet, Head of a Dog, ‘Bob’. c. 1876.  Oil on canvas.  Private collection.  

Édouard Manet, Head of a Dog, ‘Bob’. c. 1876.  Oil on canvas.  Private collection.  

(Source: the-athenaeum.org)

Édouard Manet, Young Woman with a Book.  1875.  Oil on canvas, 24.45 x 32.39 cm.   

Édouard Manet, Young Woman with a Book.  1875.  Oil on canvas, 24.45 x 32.39 cm.   

(Source: wikipaintings.org)

Nº. 1 of  10