Nº. 1 of  3

Inside A Letter Box

Posts tagged paper:

Ute Schätzmüller, Realm of Helios.  2012.  Watercolour on paper, 18 x 24 cm. 

Ute Schätzmüller, Realm of Helios.  2012.  Watercolour on paper, 18 x 24 cm. 

(Source: atelierscheune2012.files.wordpress.com)

A drawing by Anne Frank, which she made in the sixth class of the Montessori school.

A drawing by Anne Frank, which she made in the sixth class of the Montessori school.

(Source: annefrank.org)

Mikalojus Ciurlionis, Biciulyste (Friendship). 1906-1907. Pastel on paper, 73.4 x 63.5 cm. 

Mikalojus Ciurlionis, Biciulyste (Friendship). 1906-1907. Pastel on paper, 73.4 x 63.5 cm. 

(Source: ciurlionis.lt)

Rembrandt van Rijn, Hendrickje sleeping. c. 1654-1655. Brush and brown ink on paper, 24.6 cm x 20.3 cm. 

Rembrandt van Rijn, Hendrickje sleeping. c. 1654-1655. Brush and brown ink on paper, 24.6 cm x 20.3 cm. 

(Source: wikipaintings.org)

Charles Conder, A Dream in Absinthe. 1890. Pen and ink with watercolour on paper, 24 cm. x 25.3 cm. 

Conder frequently drew “postcards” illustrating his nocturnal adventures in the Latin quarter in an imaginative composite. A Dream in Absinthe (1890) is one such pictorial diary; a fantasia in comic strip form in which he parades the imagery of his new metropolitan life in the City of Light, 13,000 miles from the tall eucalypts, the lavender blue hills and the golden beaches of Australia. His early gift for linear improvisation is evident here, and among the alcoholic demons and opium poppies he has interspersed glimpses of the Moulin Rouge, La Gouloue and Lautrec himself.

 A Drink Among Friends: Barry Humphries on Degas, Sickert and Toulouse-Lautrec.

Charles Conder, A Dream in Absinthe. 1890. Pen and ink with watercolour on paper, 24 cm. x 25.3 cm. 

Conder frequently drew “postcards” illustrating his nocturnal adventures in the Latin quarter in an imaginative composite. A Dream in Absinthe (1890) is one such pictorial diary; a fantasia in comic strip form in which he parades the imagery of his new metropolitan life in the City of Light, 13,000 miles from the tall eucalypts, the lavender blue hills and the golden beaches of Australia. His early gift for linear improvisation is evident here, and among the alcoholic demons and opium poppies he has interspersed glimpses of the Moulin Rouge, La Gouloue and Lautrec himself.


 A Drink Among Friends: Barry Humphries on Degas, Sickert and Toulouse-Lautrec.

(Source: the-athenaeum.org)

Salvador Dalí, Untitled (Woman with a head of flowers).  1937.  Gouache, ink on paper. 38.5 x 50 cm.  

Salvador Dalí, Untitled (Woman with a head of flowers).  1937.  Gouache, ink on paper. 38.5 x 50 cm.  

(Source: wikipaintings.org)

Umberto Boccioni, Sheet with Three Studies of a Reclining Nude and a Study of a Reclining Couple. 1908. Ink and watercolor on paper, 16.2 x 30.8 cm. 

Umberto Boccioni, Sheet with Three Studies of a Reclining Nude and a Study of a Reclining Couple. 1908. Ink and watercolor on paper, 16.2 x 30.8 cm. 

(Source: pintura.aut.org)

Francois-Marius Granet. Hilltop with Pines, Evening Light. c. 1802-1819.  11.5 cm x 28.6 cm.  Oil on paper, mounted on canvas.  

Francois-Marius Granet. Hilltop with Pines, Evening Light. c. 1802-1819.  11.5 cm x 28.6 cm.  Oil on paper, mounted on canvas.  

(Source: the-athenaeum.org)

Hans Cranach’s Travel Sketchbook.  1536-37.  Bound in semi-rigid board; paper, with bodycolour for the family coat of arms and his initials.  Assumed to have been created by his father, Lucas Cranach the Elder.  203 x 160 mm. 

Hans Cranach’s Travel Sketchbook.  1536-37.  Bound in semi-rigid board; paper, with bodycolour for the family coat of arms and his initials.  Assumed to have been created by his father, Lucas Cranach the Elder.  203 x 160 mm. 

(Source: wga.hu)

Nº. 1 of  3