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Inside A Letter Box

Posts tagged watercolour:

Auguste Rodin, Deux femmes enlacées (Two Women Embracing).  1908.  Pencil and watercolour on paper, 32 x 24 cm. 

Auguste Rodin, Deux femmes enlacées (Two Women Embracing).  1908.  Pencil and watercolour on paper, 32 x 24 cm. 

Beatrix Potter, “After losing his shoes, Peter ran on four legs and went faster.” Original quotation and drawing. Signed August 1927. Watercolour and ink, 12 x 9 cm.   A companion to Peter Rabbit in bed, being nursed by his mother.

Beatrix Potter, “After losing his shoes, Peter ran on four legs and went faster.” Original quotation and drawing. Signed August 1927. Watercolour and ink, 12 x 9 cm.  A companion to Peter Rabbit in bed, being nursed by his mother.

(Source: schoyencollection.com)

Charles Conder, A Dream in Absinthe. 1890. Pen and ink with watercolour on paper, 24 cm. x 25.3 cm. 

Conder frequently drew “postcards” illustrating his nocturnal adventures in the Latin quarter in an imaginative composite. A Dream in Absinthe (1890) is one such pictorial diary; a fantasia in comic strip form in which he parades the imagery of his new metropolitan life in the City of Light, 13,000 miles from the tall eucalypts, the lavender blue hills and the golden beaches of Australia. His early gift for linear improvisation is evident here, and among the alcoholic demons and opium poppies he has interspersed glimpses of the Moulin Rouge, La Gouloue and Lautrec himself.

 A Drink Among Friends: Barry Humphries on Degas, Sickert and Toulouse-Lautrec.

Charles Conder, A Dream in Absinthe. 1890. Pen and ink with watercolour on paper, 24 cm. x 25.3 cm. 

Conder frequently drew “postcards” illustrating his nocturnal adventures in the Latin quarter in an imaginative composite. A Dream in Absinthe (1890) is one such pictorial diary; a fantasia in comic strip form in which he parades the imagery of his new metropolitan life in the City of Light, 13,000 miles from the tall eucalypts, the lavender blue hills and the golden beaches of Australia. His early gift for linear improvisation is evident here, and among the alcoholic demons and opium poppies he has interspersed glimpses of the Moulin Rouge, La Gouloue and Lautrec himself.


 A Drink Among Friends: Barry Humphries on Degas, Sickert and Toulouse-Lautrec.

(Source: the-athenaeum.org)

Umberto Boccioni, Sheet with Three Studies of a Reclining Nude and a Study of a Reclining Couple. 1908. Ink and watercolor on paper, 16.2 x 30.8 cm. 

Umberto Boccioni, Sheet with Three Studies of a Reclining Nude and a Study of a Reclining Couple. 1908. Ink and watercolor on paper, 16.2 x 30.8 cm. 

(Source: pintura.aut.org)

Salvador Dalí, Pomona en otoño (Pomona in Autumn).  1973.  Watercolour, gouache, pastel, sanguine, and India ink on paper.  97 x 57 cm.

Salvador Dalí, Pomona en otoño (Pomona in Autumn).  1973.  Watercolour, gouache, pastel, sanguine, and India ink on paper.  97 x 57 cm.

(Source: pintura.aut.org)

John Singer Sargent, Garden Fantasy. Undated. Watercolour, 50.8 cm x 40.64 cm. 
The statue is a direct reference to Gian Lorenzo Bernini’s Apollo and Daphne.

John Singer Sargent, Garden Fantasy. Undated. Watercolour, 50.8 cm x 40.64 cm. 

The statue is a direct reference to Gian Lorenzo Bernini’s Apollo and Daphne.

(Source: the-athenaeum.org)

Winslow Homer, Morning - The Morning Mist. 1892.  Watercolour, 32.39 cm x 50.8 cm.

Winslow Homer, Morning - The Morning Mist. 1892.  Watercolour, 32.39 cm x 50.8 cm.

(Source: the-athenaeum.org)

John La Farge, Apple Blossoms and Butterfly.  c. 1879.  Watercolour and pencil on paper laid down on board, 12 x 12 cm. (in painted circle). 

John La Farge, Apple Blossoms and Butterfly.  c. 1879.  Watercolour and pencil on paper laid down on board, 12 x 12 cm. (in painted circle). 

(Source: christies.com)

Zao Wou-Ki, The Forest. 1949.  Watercolour on paper, 50.7 x 30.5 cm. 

Zao Wou-Ki, The Forest. 1949.  Watercolour on paper, 50.7 x 30.5 cm. 

(Source: christies.com)

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